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To decorate is one of the oldest impulses behind painting, and in the golden period between 1880 and 1930 it became dominant. “Beyond the Easel: Decorative Painting by Bonnard, Vuillard, Denis & Roussel,” the exhibition currently at the Art Institute of Chicago, examines a French manifestation by these four artists, but decorative painting — and its adaptation to mosaics — also showed itself in other countries.

An exhibition can go only so far in re-creating environments, so today we present a few original settings that go beyond the show, highlighting some other artists. The aims of the rooms — and their individual objects — are as different as the artists who designed them, yet the impulse is the same. For half a century, some of the most advanced artists in Europe turned to making various interiors a pleasureful refuge from the rest of the world.